Switching Gears

Girl on Train SG
“Girl on Train”

This past week, I attended T4G, an amazing, challenging Christian conference about the gospel, leadership, Christian heritage, the fundamentals of the faith, current issues, and so much more. Any godly immersion is always a positive, but still overwhelming experience for me because there is so much I still have to know! And yet, I already have all the answers to all of the world’s most pressing questions.

I’m not sure if all of the allusions of this poem, written two or so years ago when I was very young, confused, and excited, work within my biblical theological framework currently, and I suppose at some point all analogies crumble, but when this mostly forgotten, slightly rough draft, modern piece composed on a train trip back to Detroit popped up on my Facebook feed today, I felt extremely grateful.

Going back to the moment that God filled my mind makes everything I perceive within or outside of my understanding pale, causing me to change my focus and creating a larger room in my excitement and questions for the greater glory; God chose me, and I am God’s forever and forever.

Switching Trains

It wasn’t the first time I was on the train at 5am today –
and, like every day, I had a ticket for the early trip
and left in the morning, going backward.
I didn’t intend to be traveling backward – I never do –
but I asked one passenger which way the train was facing
– he pointed –
then, I noticed his glasses slipping off his nose,
his upside-down newspaper.
His shirt was inside-out.
I didn’t follow his finger.
Dare I trust an idiot’s directions?

Not many people talk on the early morning train, going backward.
The wrong corners of buildings appear first.
I never see the warning signs.
The trees run away.
It’s dizzying – so dizzying
but it mesmerizes me into complacency –
I just stay there.

Moving is admitting a mistake.
Switching seats screams for stares.
And, in the awkward train jolts of the uneven aisle, I might
fall.
I might drop my baggage.
My precious things might break; my neatly-foldeds might scatter.
Never!
No, I have to stay there, whizzing backward, ashamed to turn around.

She has moved into my space. Very gracefully, it seems.
Baggage all intact, she sits across from me, facing forward.
She smiles.
I put one on, too.
Eye to eye to eye to eye.
Our knees knock.
She smiles again.
I take mine off.

It’s awkward to be face-to-face with a forward, smiling passenger
when I’m going backward.
I try not to look up and meet her eyes.
She obviously asked intelligent questions.
Listened.
I was the idiot.
She says, cheerily, “I’ll be going to the dining car. You?”
“I don’t.”
And then, she’s gone, baggage still intact.

Another woman gets on and sits next to me.
She obviously doesn’t mind the early morning train,
going backward.
She doesn’t speak, but I’m satisfied. She is like me.
Our minds have married into the dizziness
mesmerizing our synopses, clipping and reattaching the grey brain matter.
“What do you take the train for?” she asks.
I was happy with quiet, but now I say, confidently,
“I always take this train.”
She is happy with quiet now.

By and by, she says,
“I get mental treatments at the hospital that way a ways.
I’m dying.
I have to take this train.”
I am suddenly startled with the quiet.
Our minds have not married.
She has to be here?
Don’t we all choose to board?

I tug the conductor’s sleeve.
“Do I have a ticket for tomorrow’s train, too?”
Do I have to stay here?
He’s confused.
“You have the ticket. I just run the train.”
He turns around and continues running the train.
I’m sick of seeing the trees avoid me.
The odd corners are wrong.
I don’t understand the signs.

Blurred Scenery SG
“Peaceful Scene Blurred”

Dizzy, I get up and walk toward the bathroom.
With my hands, I turn the faucet on.
I splash water on my face.
Head down.
When I look in the mirror, I see
water droplets sparkling down my cheeks,
catching on my bangs, plinking into the sink like diamonds in a wishing well,
slipping down the drain.
Gone.
The mirror tells me that my glasses are sliding off my nose.
My hat is backward.
I’m only wearing one earring.

The train stops.
I hold tight to my baggage because I feel I’m getting off.
“Watcha doing?” the conductor shouts, angrily.
He tries to grab my arm.
“We’ll take-off again!”

Suddenly, I have switched. Very ungracefully, it seems.
I’m on another train now, trembling.
I’ve dropped a suitcase – it just fell from my watery hands.
My clothes unfolded.
Something broke.

Stumbling around, I hear,
“You may not want to stand there.”
Pushing my glasses up my nose, I see
a Man lay down his LIFE magazine.
“You’d be standing backward.” He says.
I can’t speak.
“Are these your things?” He bends down to pick up
my baggage.
He doesn’t flinch at the weight, the missing,
the broken.
He says, “Sit close to Me.
I’ll take your baggage.”

Originally posted on Tuesday Thursday Pen.

 

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